About Salley Mavor

About Salley Mavor

“My aim is to breathe life and emotion into embroidery, an art form that is often thought of as purely decorative.”

Salley mavor

A needle is my tool, thread is my medium and stitches are my marks. For over 45 years, I’ve created 3-dimensional hand-stitched artwork that ranges from precious to poignant to provocative. My artwork is applied in many ways, including in children’s books, editorial illustrations and stop-motion animation.

There is a distinctive over-the-top quality to my artwork. A combination of storytelling imagery, extra attention to detail, fervent craftsmanship, and the use of familiar, yet intriguing materials set it apart.

I am interested in universal, playful narratives that address social and cultural issues. My objective is to transcend the fiber medium by and of itself and make art that is valued for its message and emotional resonance as well as its workmanship. 

What I make today and how I do it, is a culmination of a life-long search to find ways of translating what I feel and imagine into something real to share. My wish is for people of all ages to connect with my artwork in personal and meaningful ways.

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Where did this doll-infested needle and thread universe come from? It began at the height of the baby boom, in a family of introverts who were either making things or staring into space. You could say that we excelled at parallel play.

Education
While studying illustration at the Rhode Island School of Design in the 1970’s, I was encouraged to tap into my crafty and playful side. Instead of trying to keep in step using traditional mediums, I discovered that with stitching, I could dance! I found that my hands would direct me in a compelling way and I could communicate ideas more clearly. For most of my career I have followed this path, creating sculptural scenes in bas-relief, much like miniature, shallow stage sets, with figures imposed on embellished fabric backgrounds.

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Books – Some of my embroidered pieces are photographed and reproduced in children’s books, including the 2010 award-winning Pocketful of Posies: A Treasury of Nursery Rhymes. My bestselling how-to book of doll projects, Felt Wee Folk: New Adventures continues to inspire creativity.

Shop – Personally autographed books, cards, jigsaw puzzles, notebooks, and posters with printed reproductions of my embroidered scenes are available in my Etsy Shop.

Birds of Beebe Woods poster, cards, puzzles and notebooks are available in my Etsy Shop

Original Artwork – My original pieces are no longer for sale. I’m holding onto what I have so that there is a representative body of work available to exhibit.

Sharing Knowledge – I do not teach classes, but this blog is full of informative and inspiring photos, videos and descriptions of projects I’ve made. My how-to book Felt Wee Folk provides step-by-step instructions for making wee folk dolls, with many examples and patternsTo get an idea of my thoughts about sharing knowledge and artistic privacy, please read my post to teach or not to teach.

Animation
After the 2016 presidential election, I formed a satirical wee folk drama troupe, The Wee Folk Players  (they’re a stitch). Also, my husband Rob Goldsborough and I made a short stop-motion animated film titled Liberty and Justice: A Cautionary Tale in the Land of the Free.

Screen shot from “Liberty and Justice” animation

My solo exhibit Liberty and Justice was abruptly cancelled in 2018 at its original venue due to its political content. The show was generously picked up by the New England Quilt Museum and the Cotuit Center for the Arts and portions were included in The Art of Cute at the Brick Store Museum in Kennebunk, Maine. You can watch my interview about the Liberty and Justice exhibit on WGBH TV and read the post Finding My Voice, which includes an excerpt of my talk about making art that is both precious and provocative.

EXHIBITIONS

To see a schedule of upcoming exhibitions of my original bas-relief artwork, including the Bedtime Stitches national tour, please visit the Exhibitions Page.

The Wee Worlds of Salley Mavor at the Southern Vermont Arts Center, fall 2023

My most recent book, MY BED: Enchanting Ways to Fall Asleep around the World was published in 2020. You can see blog posts showing the book’s progress here. SALLEY MAVOR: Bedtime Stitches, the touring exhibition of original bas-relief artwork for the book is scheduled through 2025. The current list of venues is here. Inquiries from museums are welcome. For information about hosting the show, please use the contact form below.

See how I made the illustrations for my new picture book, MY BED in this 8 minute documentary.

I live and work on Cape Cod, in Falmouth, Massachusetts. For answers to frequently asked question, please go to the FAQ Page. Contact me using the form below or write to P.O. Box 152, Woods Hole, MA 02543.

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Autographed books, prints, puzzles, cards, notebooks and posters are available in my Etsy shop.

  • Posters, puzzles, notebooks, cards and autographed books are available in my Etsy shop.
  • Contact me via the form above or write to P.O. Box 152, Woods Hole, MA 02543
  • Visit my Facebook Page and Instagram page.

Rabbitat is a short documentary video about my work:

Interviews

Book trailer for Felt Wee Folk – New Adventures

Information

  • Posters, cards, jigsaw puzzles and autographed books are available in my Etsy shop.
  • To see a list of all of my books, go to My Books.
  • Watch videos about my work: Videos Page
  • For info about upcoming exhibits, visit the Exhibitions Page.
  • Frequently asked questions: FAQ Page

Self Portrait: A Personal History of Fashion (pictured below) is on semi permanent display at the Woods Hole Public Library. Posters of the piece are available in my Shop here.

 

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Poster – Self Portrait

To keep up with new posts, subscribe to this blog. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

Recent Posts

Bur Oak Fairies

After a 4 year delay, I’m finally sharing photos, videos and commentary about how I made a pair of larger than usual fairies. A while back, a fan from the Midwest kindly sent a boxful of bur oak acorn caps. They are humongous compared to regular run-of-the-mill acorn caps that I used as hats for the 3-inch tall dolls in my how-to book Felt Wee Folk.

I really liked the hatlike quality of these caps, but to use them, I had to adjust my design to accommodate larger 5 to 6 inch figures with 1 1/4″ heads. To start, I painted faces on a bunch of wooden beads and ball knobs, until I was satisfied with a few impish ones with upturned pointy noses.

I increased the size of their pipe cleaner bodies and made hands to scale. It was also an opportunity to use larger faux flower petals from my collection for the skirt.

I made a peplum jacket pattern and cut it out of felt, which I embellished with a flower petal collar, beads, embroidery floss, and metallic thread.

Because these fairies have nice big feet, I could more easily cobble shoes for them. This pair of slippers are made out of felt, with a bit of wire reinforcement to give them a pointy elfin look.

Here’s a video of my work table that I shared on Facebook and Instagram in 2020. The response to the video was mixed. Some people were uncomfortable with the disorderly jumble, while others were relieved to see another creative space that looked as messy as theirs.

I attached felt wigs to the bead heads using the same techniques that I teach in my how-to book, Felt Wee Folk. This doll’s hair is made with variegated single ply Merino wool from Flying Finn Yarns. I created tangled ringlets by stitching yarn up an down the long tresses.

Just as with the smaller fairies, I made wings out of faux flower petals. But because of the increased scale, these wings were too floppy. I gave them extra support by sewing wire along the outside edge, going around a few times until the wire was completely hidden by thread.

In this video, you can watch over my shoulder while I stitch wire to the outside edge of a wing and embroider a felt tailcoat.

I dressed one of the fairies in an embroidered felt vest and leafy cravat…

and a green felt tailcoat embellished with metallic thread.

At 5 and 6 inches tall, they are the largest and best dressed fairies I’ve ever seen!

The Bur Oak Fairies’ permanent home is in the West Falmouth Library, downstairs in the Moira Shea children’s room. You can find them hovered over a fairy house made by Andrea Riggillo.

To keep up with new posts, subscribe to this blog. If you’d like to see more frequent photos tracking the projects in my studio, please follow me on Facebook and/or Instagram.

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